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Design Milk’s Friday Five profile looks at a 6,250-square-foot Bogotá penthouse renovated by designer Veronica Mishaan. The project updates the home for its owners’ current lifestyle while incorporating family furniture, art and objects collected over more than 30 years.
Design Milk’s Friday Five profiles designer Veronica Mishaan and her renovation of a 6,250-square-foot penthouse in Bogotá, where the owners’ family had lived for more than 30 years. Mishaan says the project updated the apartment for the family’s current needs while preserving its memories, art and furnishings—a design challenge that shaped the layout and material choices.
The home brings together existing family pieces and contemporary furnishings designed or selected for the renovated spaces. Mishaan says the client wanted an update for a new stage of life without erasing the history of the apartment. Some objects were moved to new locations: a desk now in the primary bedroom, for example, had previously stood in the living room.
The renovation reworked the layout and introduced tinted wide-plank oak flooring, smooth plaster walls and a combination of recessed and decorative lighting. The primary suite was relocated and finished with navy wallcovering, a paisley-wool upholstered bed and custom shelving in brass, wood and glass. In the bathroom, pink marble extends from the floor up the walls, meeting blue-and-white waterjet marble. A dressing room features mirrored walls, a parchment vanity and a curved velvet-upholstered bench.
Shared spaces combine varied colors, textures and materials. In the family room, dark blue grasscloth walls sit alongside a custom parchment-wrapped bookcase, patterned carpet and mohair upholstery. The entry pairs a custom rug with a bronze sculpture from the family’s collection; a cast-bronze stair railing was made from molds of a tree branch. Guest rooms include custom bunk beds for the owners’ grandchildren. Max Burkhalter photographed the project, according to the report.
A Family Home Reworked for Today
The project illustrates how a renovation can respond to a household’s changing needs while retaining objects tied to its history. Here, the design was not presented as a complete reset: reused furniture and artwork remain part of the composition, even as rooms were reassigned and the interiors updated.
The apartment’s setting also informed its design. Mishaan says views of the Andes Mountains helped inspire the palette and landscape references inside. The reported choices—from sage-green millwork to botanical wallpaper—connect the interiors to the surroundings without relying only on the view itself. For readers interested in residential design, the profile offers a specific example of how personal collections, architecture and place can guide a renovation.
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From Family Practice to Independent Studio
Mishaan says she grew up around design through her mother, Susana Mishaan de Millán, a designer who worked in Bogotá and Cartagena. After studying quantitative economics and international relations at Tufts University, she considered a career in painting before joining her mother’s interior design practice. What she expected to be six months of work became a longer career, she told Design Milk.
The two worked together at M De M Designs, creating interiors and handcrafted furnishings. After six years, Mishaan took sole leadership and developed the business into Veronica Mishaan Design House. The report says the firm now has offices in New York City, Bogotá and Bermuda, and works on residential, hospitality, commercial and product-design projects. The penthouse profile focuses on one residential commission rather than providing a full account of the renovation process or its costs.
“The client wanted this home to be updated for their new stage of life, but did not want to erase all the memories that were lived in that space for 30-plus years.”
— Veronica Mishaan, speaking to Design Milk
Renovation Details Not Reported
The Design Milk account describes the finished interiors and Mishaan’s design approach, but does not give the project’s completion date, renovation budget, construction schedule or the full scope of structural work. It also does not identify the owners or say whether they lived in the apartment during the renovation. Those details should not be inferred from the design photographs or description.
The article presents the designer’s account of the client brief and project choices. It does not include comments from the owners, contractors or other project participants, so their perspectives and any constraints that shaped the work are not available in the source material.
No Further Project Milestone Listed
The source is a design profile, not an announcement of a pending construction phase or public event. It does not report a next milestone for the penthouse or say whether additional project details will be released. For now, the documented development is Design Milk’s publication of Mishaan’s account of the completed design and the decisions behind it.
Key Questions
What is the Bogotá penthouse project?
It is a 6,250-square-foot apartment renovated by designer Veronica Mishaan for a family whose relatives had lived there for more than 30 years. Design Milk’s Friday Five describes the updated interiors and the ideas behind them.
What was the main design challenge?
Mishaan says the owners wanted the home updated for their current stage of life without losing the memories associated with it. The design retained and relocated some existing furniture and artwork while changing the layout and finishes.
How did the Andes influence the interiors?
Mishaan said the mountain views inspired aspects of the design. The report describes earthy tones, sage-green millwork, wood finishes and botanical motifs that reference the surrounding landscape.
Who photographed the penthouse?
Max Burkhalter is credited with the project photography in the Design Milk report.
Are the renovation cost and completion date known?
The source does not provide a budget or completion date. It also does not give a construction schedule or identify the homeowners.
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